Detailed Schedule

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Monday 19 June

Keynote  ( abstract )

Jean-Pierre Dalmont

Harmonic stepped waveguides and their application to music

Woodwinds, reeds ( I )

• James Cottingham
  Reed chamber resonances and reed tongue vibrational modes in free reed excitation.
• Marion Volpe, Philippe Guillemain, Pierre-André Taillard and Jean Kergomard
  Objective comparisons between an ancient and a modern clarinet.
• Connor Kemp and Gary Scavone
  Static stiffness evaluation and aging behaviour of played alto saxophone reeds.

Woodwinds, reeds ( II )

• Montserrat Pàmies-Vilà, Alex Hofmann and Vasileios Chatziioannou
  Strain to displacement calibration for single-reeds using a high-speed camera.
• Martin Proscia, Pablo Riera and Manuel Eguia
  A timbral and musical performance analysis of saxophone multiphonics morphings.
• Pierre-André Taillard, Jean-Pierre Dalmont, Bruno Gazengel and Alberto Muñoz Arancón
  Analysis of nonlinear characteristics of the clarinet exciter obtained via a new measurement method.

Winds, general ( I )

• Kurt Hoffman
  Construction and Modeling of a Horn Built of Cylindrical PVC Pipe.
• Nobuyuki Umetani, Emily Whiting, Athina Panotopoulou and Ryan Schmidt
  Printone: Interactive Resonance Simulation for Print-wind Instrument Design.
• Burton Patkau, Antoine Lefebvre and Edward Kort
  Wind Instrument Optimization Made Practical.

Winds, general ( II )

• Henri Boutin, Sandie Le Conte, Jean-Loïc Le Carrou and Benoit Fabre
  How do wood polishing and oiling affect acoustic dissipation in the bore of wind instruments?
• Sebastian Schmutzhard, Vasileios Chatziioannou and Alex Hofmann
  Parameter optimisation of a viscothermal time-domain model for wind instruments.
• Marthe Curtit, Benoit Fabre, Joël Gilbert, Christophe Vergez, Jérémy Cabaret and Natacha Grauer
  Experimental study on the use of input impedance in an instrument making context.

Poster session ( I ) : wind instruments, piano, harpsichord

• Alexis Guilloteau, Philippe Guillemain, Jean Kergomard and Michael Jousserand
  On the second register's playability of the clarinet : towards a multicriteria approach.
• Whitney Coyle and Carter Richard
  An investigation of the clarinet reed's vibrating surface area.
• Alexis Guilloteau, Philippe Guillemain and Michael Jousserand
  Beneficial aspects of toneholes undercutting applied to clarinet design.
• Augustin Ernoult and Benoît Fabre
  Who does control the attack transients of the recorder, the musician or the instrument maker?
• Cassandre Balosso-Bardin, Augustin Ernoult, Patricio de La Cuadra, Ilya Franciosi and Benoit Fabre
  Music or Mechanics? Understanding the role of a bagpiper’s arm.
• Jost Fischer and Rolf Bader
  Numerical Simulations of Transverse Modes in the Initial Transient of an Organ Pipe.
• Cassandre Balosso-Bardin, Patricio de La Cuadra, Camille Vauthrin and Benoit Fabre
  Reconstructing an 1832 Boehm conical flute: an interdisciplinary collaboration.
• Song Wang and Gary Scavone
  Finite element modeling of sound radiation at the open end of a conic frustum.
• Niko Plath, Florian Pfeifle, Christian Koehn and Rolf Bader
  Radiation characteristics of grand piano soundboards in different stages of production
• Jean-Loic Le Carrou, Arthur Paté, Arthur Givois and Alexandre Roy
  Experimental study of the plectrum shape and the key velocity on the harpsichord sound.
• Caroline Traube, Manon Moulin and Felipe Verdugo
  Controlling piano tone by varying the "weight" applied on the key.
• Camille Adkison, Eric Rokni, Lauren Neldner and Thomas Moore
  The production of phantom partials in the sound of the modern piano.

Tuesday 20 June

Keynote  ( abstract )

Antoine Chaigne

Acoustics of pianos: what we can learn from the analysis and simulations of historic instruments.

Percussion

• Yozo Araki and Toshiya Samejima
  Physics-based high-efficiency analysis of membranophones using a spectral method.
• Tatiana Statsenko, Vasileios Chatziioannou and Wilfried Kausel
  Optical interferometry for transient deformation analysis.
• Miguel Carvalho, Vincent Debut and Jose Antunes
  A review of bell design and tuning techniques from magic to science.

Modeling, synthesis ( I )

• Rolf Bader
  Finite-Difference Model (FDM) of mode shape changes of the Myanmar pat wain drum circle with tuning paste on drum head.
• Tamara Smyth, Jennifer Hsu and Ryan Done
  Toward a real-time waveguide mesh implementation.
• Florian Pfeifle
  Real-time physical model of a cymbal using the full von Kármán plate equations.

Plucked strings

• Clara Issanchou, Jean-Loïc Le Carrou, Cyril Touzé, Benoît Fabre and Olivier Doaré
  String / fretboard interaction in electric basses: Simulations and experiments.
• Chris Waltham
  Calibrating impact measurements of qin sound hole velocities.
• Henri Boutin, Sandie Le Conte and Philippe Bruguiere
  Non-Occidental Lutes : relationship between making process and functionality.

Bowed strings

• Frédéric Ablitzer and François Gautier
  Analysis of sound post adjustment using a hybrid bowed string model.
• Colin Gough
  Influence of bridge, island area, bass bar and soundpost on the acoustic modes of the violin.
• Chris Chafe, Esteban Maestre, Augusto Sarti, Antonio Canclini, Gary Scavone, Julius Smith and Fabio Antonacci
  The return of the Messiah: Modal analysis and bridge admittance modeling.

Poster session ( II ) : percussion, strings

• Sylvain Maugeais
  On the role of the second membrane of the tabla.
• Negin Abaeian, Ulrich Blass, Gary Scavone and Larry Lessard
  Finite Element Design and Manufacturing of a Nylon-String Guitar Soundboard from Sandwich-Structured Composites.
• Mark Rau, Esteban Maestre, Julius Smith and Gary Scavone
  An Exploration of Guitar Neck Admittance Measurements Taken at Different String Stopping Locations.
• Kota Otsuka, Koichi Mizutani, Naoto Wakatsuki and Tadashi Ebihara
  Effects on Temporal Change of Vibrational Properties on Guitar String by Stringing and Plucking.
• Léo Guadagnin, Bertrand Lihoreau, Pierrick Lotton and Emmanuel Brasseur
  Study of magnetic pickups for electric guitars.
• Jean-Loic Le Carrou and Delphine Chadefaux
  Kinematics analyses of strings and upper limbs during harpist's performance.
• Massimiliano Zanoni, Fabio Antonacci and Augusto Sarti
  Towards Prediction of Violin Timbre from vibrational measurements.
• Matthias Flückiger, Tobias Grosshauser and Gerhard Tröster
  Evaluation of a miniature accelerometer with a laser Doppler vibrometer to study vibrations at the neck of a violin in realistic playing scenarios.
• Masaki Mohri, Naoto Wakatsuki and Koichi Mizutani
  Comparison of Tones and Physical Properties among Cello Strings of Different Materials.
• Quim Llimona, Charalampos Saitis, Esteban Maestre and Gary Scavone
  Exploring simulation-based playability metrics of 9 perceptually evaluated violins.
• Francesco Setragno, Massimiliano Zanoni, Fabio Antonacci and Augusto Sarti
  Feature-based timbral characterization of ancient and modern violins.

Wednesday 21 June

Keynote  ( abstract )

Maarten van Walstijn

Collisions in musical instruments: a numerical modelling perspective.

Modeling, synthesis ( II )

• Vasileios Chatziioannou and Maarten Van Walstijn
  On the contact duration accuracy of discrete-time collision models.
• Vincent Debut and Jose Antunes
  Realistic guitar modelling using a dynamical multibody approach.
• Guilherme Paiva, Frédéric Ablitzer, François Gautier, Mathieu Sécail-Géraud and José Maria Campos Dos Santos
  Physical modelling and sound synthesis of a Viola Caipira.

Modeling, synthesis ( III )

• Nick Giordano
  Lip Dynamics in a Physical Model of the Trumpet.
• Esteban Maestre, Julius O. Smith and Gary P. Scavone
  Analysis-Synthesis of Saxophone Input Impedances via Recursive Parallel Filters.
• Xavier Pelorson, Anne Bouvet and Annemie Van Hirtum
  Synthesis of the human voice using a simplified physical model

Brass instruments

• Amaya Lopez-Carromero, Jonathan Kemp and Murray Campbell
  Experimental investigations of the effects of fast slide movements in the trombone on the behaviour of an artificial mouth
• Megumi Satou, Tetsuro Kitahara, Hiroko Terasawa and Masaki Matsubara
  Relationships between Abdominal and Around-Lip Muscle Activities and Acoustic Features when Playing the Trumpet
• Mathieu Secail-Geraud, Lévy Leblanc, Joel Gilbert and Francois Gautier
  Vibroacoustics of brass instruments: analysis of the coupling mechanisms thanks to a double bell experiment

Contemporary instruments

• Francois Gautier, Frederic Ablitzer, Jean-Loic Le Carrou and Liujian Zhang
  Hybrid modeling of Cristal Baschet sounds.
• Dharit Tantiviramanond and Jeffrey Snyder
  The Birl Physical Model.
• Lior Arbel, Yoav Y. Schechner and Noam Amir
  An Electromagnet Based Wine Glass Instrument.

Poster session ( III ) : brass, timbre, perception, voice

• Lionel Velut, Christophe Vergez and Joël Gilbert
  Multiphonics in the trombone, measurements and time-domain simulations.
• Robin Tournemenne, Jean-François Petiot and Joel Gilbert
  Optimization of brass instruments based on physical modeling sound simulations.
• Lionel Velut, Christophe Vergez, Pierre Vigué and Joël Gilbert
  Harmonic balance and continuation applied to a model of brass instruments.
• Punita G Singh
  Resolving rhythm ambiguities with timbre.
• Konca Saher and Yalin Ozgencil
  Assessment of Auralizations of Piano and Guitar for Music Practice Rooms.
• Rachel Miller and Daniel Fogerty
  The effect of musical abilities on implicit and explicit memory.
• Malte Kob and Armin Kohlrausch
  Transient timbre and pitch changes in musical instruments and voice.
• Timothy Wofford, Claudia Fritz, Benoît Fabre and Jean-Marc Chouvel
  Measurements and perceptions of interactions between musicians and cellos.
• Kenta Wakasa, Masaki Matsubara, Yuzuru Hiraga and Hiroko Terasawa
  Acoustic Characteristics of Pressed and Normal Phonations in Choir Singing by Male Singers.
• Stella Paschalidou, Martin Clayton and Tuomas Eerola
  Effort in interactions with imaginary objects in Hindustani vocal music – Towards enhancing gesture-controlled virtual instruments.

Thursday 22 June

Timbre, perception ( I )

• Joseph Plazak and Stephen McAdams
  The role of Spectral Envelope Ratio within the perception of sound-source size: a psychophysical and affective investigation.
• Savvas Kazazis, Nicholas Esterer, Philippe Depalle and Stephen McAdams
  A Performance Evaluation of the Timbre Toolbox and the MIRtoolbox on Calibrated Test Sounds.
• Etienne Thoret, Philippe Depalle and Stephen McAdams
  Meta-analysis of studies on timbre dissimilarity based on spectrotemporal modulation representations.

Timbre, perception ( II )

• Noam Amir, Eitan Globerson and Yael Zaltz
  Relating psychoacoustic thresholds to auditory experience.
• Felix Dobrowohl, Roger Dean and Andrew Milne
  Generation of Perceptible Rhythmic Timbral Events.
• Aurélien Antoine and Eduardo Miranda
  Musical Acoustics, Timbre, and Computer-Aided Orchestration Challenges.